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From the Academy Award(R)-nominated director Atom Egoyan (Best Director, Best Adapted Screenplay, THE SWEET HEREAFTER, 1997; EXOTICA, FELICIA'S JOURNEY), and featuring an all-star cast, ARARAT is the acclaimed cinematic masterpiece about a tragic historical event, a country in denial, and a people yearning for the truth. For the estranged members of a contemporary family, the tangled relationships of their present are only complicated by their catastrophic past. And what begins as a search for clues becomes a determined quest for answers across a vast and ancient terrain of deception, denial, fact, and fears. This stunning and passionate motion picture explores the pursuit of identity through the intimate moments shared by lovers, families, enemies, and strangers.This remarkable, intricate movie from At! om Egoyan (
The Sweet Hereafter) centers around the making of a film about the genocide of Armenians in Turkey in 1915--but this is not a dry, didactic historical re-enactment.
Ararat unspools multiple storylines around Ani (Arsinee Khanjian), an art historian hired as a consultant on the film; her son Raffi (David Alpay); his stepsister, with whom Raffi is in love even though she believes that his mother is responsible for her father's suicide; an actor (Elias Koteas) hired to play the Turkish officer who organized the genocide; and a customs officer (Christopher Plummer), who holds Raffi for questioning under suspicion of smuggling heroin. All these characters, combined with the movie within the movie, intertwine in a complex yet powerfully emotional examination of memory (both cultural and personal), loyalty (to one's family, to one's heritage), creativity, and the subjectivity of truth.
--Bret FetzerThis remarkable, intricate movie from Atom Egoyan (!
The Sweet Hereafter) centers around the making of a fil! m about the genocide of Armenians in Turkey in 1915--but this is not a dry, didactic historical re-enactment.
Ararat unspools multiple storylines around Ani (Arsinee Khanjian), an art historian hired as a consultant on the film; her son Raffi (David Alpay); his stepsister, with whom Raffi is in love even though she believes that his mother is responsible for her father's suicide; an actor (Elias Koteas) hired to play the Turkish officer who organized the genocide; and a customs officer (Christopher Plummer), who holds Raffi for questioning under suspicion of smuggling heroin. All these characters, combined with the movie within the movie, intertwine in a complex yet powerfully emotional examination of memory (both cultural and personal), loyalty (to one's family, to one's heritage), creativity, and the subjectivity of truth.
--Bret FetzerA ruthlessly probing family portrait in verse, Gluck's sixth poetry collection confronts, with devastating irony, her father's hollow! life and her mother's inability to express emotion. This might seem like a daughter's belated rebellion, except that these fierce, rock-strong, deeply felt lyrics are steeled by love and understanding. Ararat by Mychael Danna
This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.The ongoing collaboration between composer Mychael Danna and film director Atom Egoyan has yielded numerous soundtrack gems, but Ararat ranks among their very best. Egoyan's complex film-within-a-film revolves around the Armenian genocide of 1915. Not surprisingly, regional folk instruments and choral singing play a dramatic role on this effort. Danna and Egoyan recorded much of the Armenian music on location, in a sixth-century stone church with no electricity, but it blends in perfectly with the composer's more sophisticated orchestral arrangements. This is dark, moody, and minor-keyed (not to mention gorgeous) music! . By focusing on the plaintive sounds of a solo trumpet or ! duduk (Armenian flute) and the occasional choral track, Danna has created a truly haunting and mysterious score. A wonderful soundtrack. --Jason Verlinde This remarkable, intricate movie from Atom Egoyan (The Sweet Hereafter) centers around the making of a film about the genocide of Armenians in Turkey in 1915--but this is not a dry, didactic historical re-enactment. Ararat unspools multiple storylines around Ani (Arsinee Khanjian), an art historian hired as a consultant on the film; her son Raffi (David Alpay); his stepsister, with whom Raffi is in love even though she believes that his mother is responsible for her father's suicide; an actor (Elias Koteas) hired to play the Turkish officer who organized the genocide; and a customs officer (Christopher Plummer), who holds Raffi for questioning under suspicion of smuggling heroin. All these characters, combined with the movie within the movie, intertwine in a complex yet powerfully emotional examination of m! emory (both cultural and personal), loyalty (to one's family, to one's heritage), creativity, and the subjectivity of truth. --Bret Fetzer