Monday, November 7, 2011

The Adventures of Brisco County, Jr.: The Complete Series

  • Condition: New
  • Format: DVD
  • Box set; Closed-captioned; Color; Dolby; DVD; Subtitled; NTSC
Mud Creek, Texas, is about to get all shook up. When mysterious deaths plague the Shady Rest retirement home, it's up to an aging, cantankerous "Elvis" (Bruce Campbell) and a decrepitand black"JFK" (Ossie Davis) to defeat a 3,000-year-old-Egyptian mummy with a penchant for sucking human souls! Can the King show the world that he can still take care of business?Don Coscarelli directs and Bruce Campbell stars as the King of Camp in this intentionally over-the-top schlockfest. Bubba Ho-Tep is partially about Elvis Presley and partially about the title character, an Egyptian cowboy zombie, but mostly it is about camp. The movie is equal parts story and back story. We learn through narration and flashback how Elvis didn't really die, ending up instead in a rest home in East Texas with! JFK (played by Ossie Davis), who was dyed black and had his brain removed, presumably for reasons of national security. Campbell and Davis realize that something strange is going on when their rest-home compatriots start dropping off suspiciously. The whole movie leads up to a final showdown to the death with the Egyptian cowboy zombie who has been sucking the souls of their fellow residents because he thought no one would notice. The movie unfolds a bit slowly; it is, after all, a geriatrics-fight-Egyptian-cowboy-zombie movie. However, one wishes this self-conscious movie's pacing took its cue from the atypically fast-moving zombie instead of from the senior-citizen Elvis and JFK. In the end, though, Campbell is flawless as the aged King; his accent, intonations, glasses, and trademark karate are at the same time sincere and over the top. --Brian SaltzmanMud Creek, Texas, is about to get all shook up. When mysterious deaths plague the Shady Rest retirement ho! me, it's up to an aging, cantankerous "Elvis" (Bruce Campbell)! and a d ecrepitand black"JFK" (Ossie Davis) to defeat a 3,000-year-old-Egyptian mummy with a penchant for sucking human souls! Can the King show the world that he can still take care of business? Don Coscarelli directs and Bruce Campbell stars as the King of Camp in this intentionally over-the-top schlockfest. Bubba Ho-Tep is partially about Elvis Presley and partially about the title character, an Egyptian cowboy zombie, but mostly it is about camp. The movie is equal parts story and back story. We learn through narration and flashback how Elvis didn't really die, ending up instead in a rest home in East Texas with JFK (played by Ossie Davis), who was dyed black and had his brain removed, presumably for reasons of national security. Campbell and Davis realize that something strange is going on when their rest-home compatriots start dropping off suspiciously. The whole movie leads up to a final showdown to the death with the Egyptian cowboy zombie who has been sucking the sou! ls of their fellow residents because he thought no one would notice. The movie unfolds a bit slowly; it is, after all, a geriatrics-fight-Egyptian-cowboy-zombie movie. However, one wishes this self-conscious movie's pacing took its cue from the atypically fast-moving zombie instead of from the senior-citizen Elvis and JFK. In the end, though, Campbell is flawless as the aged King; his accent, intonations, glasses, and trademark karate are at the same time sincere and over the top. --Brian SaltzmanDon Coscarelli directs and Bruce Campbell stars as the King of Camp in this intentionally over-the-top schlockfest. Bubba Ho-Tep is partially about Elvis Presley and partially about the title character, an Egyptian cowboy zombie, but mostly it is about camp. The movie is equal parts story and back story. We learn through narration and flashback how Elvis didn't really die, ending up instead in a rest home in East Texas with JFK (played by Ossie Davis), who was dyed! black and had his brain removed, presumably for reasons of na! tional s ecurity. Campbell and Davis realize that something strange is going on when their rest-home compatriots start dropping off suspiciously. The whole movie leads up to a final showdown to the death with the Egyptian cowboy zombie who has been sucking the souls of their fellow residents because he thought no one would notice. The movie unfolds a bit slowly; it is, after all, a geriatrics-fight-Egyptian-cowboy-zombie movie. However, one wishes this self-conscious movie's pacing took its cue from the atypically fast-moving zombie instead of from the senior-citizen Elvis and JFK. In the end, though, Campbell is flawless as the aged King; his accent, intonations, glasses, and trademark karate are at the same time sincere and over the top. --Brian SaltzmanSomething evil is stirring in the small mining town of Gold Lick, and it's not happy. Guan-di, the Chinese protector of the dead with a strange affinity for bean curd, has been awakened by reckless teenagers, and now hi! s bloody crusade to wipe out the town's entire population can only be stopped by one man - Bruce Campbell (the guy who starred in all three Evil Dead movies and Bubba Ho-tep), B-move star and deadbeat ex-husband extraordinaire, who's recruited to be their unwitting savior. Thinking the whole scenario's a publicity prank, Bruce is distracted from his mission by a hot mom and fan boys aplenty-- but when our hero has to face off against a dark force more fearsome than a Hollywood agent, the laughs and screams start flying!

Includes Collectible 24-page MY NAME IS BRUCE comic book inside

Special Features:
-Feature-length commentary with director/actor Bruce Campbell and producer Mike Richardson
-Documentary: Heart of Dorkness The Making of My Name is Bruce
-Featurettes: Bruce On..., Beyond Inside the Cave: The Making of CaveAlien 2, Kif s Korner, Awkward Moments with Kif, Love Birds, Hard Truth News from Hollywood The Real Bruce Campbell
-CaveAlien 2 ! Trailer, My Name is Bruce Trailer
-Poster Art Gallery, Prop! s Art Ga llery, Photo GalleryCult film and TV star Bruce Campbell (Burn Notice) lampoons his own B-movie legacy with My Name is Bruce, an agreeably goofy horror-comedy which pits him--well, a version of him, anyway--against a malevolent Asian spirit in order to save a die-hard fan. Campbell also directed Bruce, and brings a loose, kitchen-sink vibe to the proceedings, which has teenager and die-hard Bruce Campbell fan Jeff (Taylor Sharp) kidnap his idol in order to save his small town from an ancient Chinese demon. Unfortunately, the movie Bruce Campbell is a broken-down, booze-swilling reprobate who lacks even an ounce of the insouciant charm of his screen persona in Evil Dead 2 or the Hercules series, and proves woefully inadequate in dispelling the monster. But as films ranging from Cat Ballou and My Favorite Year to Galaxy Quest and Three Amigos! have proven, the unwavering belief of a fan can bring out the h! ero in even the worst heel, and Bruce rises to the occasion in the picture's final third. Obviously, Bruce is slated towards fans of Campbell's eccentric screen c.v., and aficionados will undoubtedly appreciate the endless slew of nods to his previous films, as well as cameos by many of his co-stars, including Ted Raimi in multiple roles (one of which is a Chinese gentleman that gives Mickey Rooney in Breakfast at Tiffany's a run for his money in the stereotype department). Campbell himself remains the movie's chief selling point; his knack for physical humor (read: self-abuse) and pulpy line readings have lost none of their charm, which does much to override some of the flick's flotilla of stale gags. Campbell's sense of humor is also given free reign on the commentary track, which he shares with producer Mike Richardson; the DVD, which comes with a 24-page comic book adaptation from Dark Horse, also includes an amusing making-of featurette, as well as a ! spoofy tell-all mockumentary on the "real" Bruce Campbell, and! a trail er for the atrocious film-within-a-film, Cavealien 2. -- Paul Gaita

Stills from My Name is Bruce (Click for larger image)
Based on the Bram Stoker Award nominee short story by cult author Joe R. Lansdale, Bubba Ho-tep tells the "true" story of what really did become of Elvis Presley. We find Elvis (Bruce Campbell) as an elderly resident in an East Texas rest home, who switched identities with an Elvis impersonator years before his "death", then missed his chance to switch back. Elvis teams ! up with Jack (Ossie Davis), a fellow nursing home resident who thinks that he is actually President John F. Kennedy, and the two valiant old codgers sally forth to battle an evil Egyptian entity who has chosen their long-term care facility as his happy hunting grounds.The world's favorite western/sci-fi/comedy/action cult hit rides again! Here on 8 discs is the complete series about Brisco (Bruce Campbell), a tough-as-rawhide cowpoke, debonair ladies' man and Harvard-educated smarty-britches who roams from Frisco to Jalisco in pursuit of outlaws who killed his father...and in search of a mysterious orb possessing out-of-this world powers. Hot lead and cool anachronisms await Brisco as he and his sidekicks - including Comet, the intellectual equine who doesn't know he's a horse - fight for justice in the way, way, way-out West. Put your boots in your stirrups, your tongue in your cheek and join the fun. Let's play cowboys and aliens.

DVD Features:
Audio Comme! ntary
Documentary
Featurette
Oth! erDocumentaries:The History of Brisco County: A behind-the-scenes documentary with cast and creator.
Featurette:1.) "Tools of the Trade" - mini featurettes on special aspects of the show narrated by Bruce Campbell. 2.) "A Brisco County Writer's Room" - Roundtable discussion with the writers & producers fo Adventures of Brisco County, Jr.
Other:1.) "A Reading From The Book of Bruce" 2.) "Brisco's Book of Coming Things" - interactive menu launching mini-featurettes about the signature references to futuristic elements of the show, narrated by Bruce Campbell.

A science fiction-Western and comedy-drama with echoes of The Wild Wild West and Raiders of the Lost Ark, The Adventures of Brisco County Jr.: The Complete Series is uniquely entertaining. Anchored by the comically heroic style of likable B-movie actor Bruce Campbell, Adventures lasted one television season in 1993-94. But it left behind a full 27 episodes (inc! luding two two-part stories) full of classic TV Western production values and a running storyline that resembles The X-Files after awhile.

Campbell plays Brisco County Jr., a bounty hunter and son of a legendary U.S. marshal (R. Lee Ermey) gunned down by the villainous John Bly (Billy Drago) and his band of misfits. The younger Brisco is hired by a consortium of businessmen to protect their interests from the likes of Bly, and while he's dedicated to that cause, Brisco is also determined to avenge his father's murder. Helping him do a little of both is a fussy attorney, Socrates Poole (Christian Clemenson); a rival bounty hunter, Lord Bowler (Julius Carry); a wacky inventor, Professor Wickwire (John Astin); and a sultry saloon singer, Dixie (Kelly Rutherford). Rockets, mysterious orbs, and superhuman strength are some of the delightfully out-of-their-element phenomena that find themselves alongside more conventional cowpoke ingredients, including a horse so smar! t he can chew the ropes binding Brisco's hands. For the most p! art, the stories stand alone. But as the season progresses, a lot of things get weirder, albeit in a good way: the truth about Bly and his connection to a golden orb everyone wants, for example, are certainly unexpected. But the show is always dazzling, often satiric ("Oy!" Dixie exclaims when Brisco outlines the steps involved in stopping a runaway wagon they're trapped within), yet heartening in an old-fashioned way. Special features include Campbell's reading of a chapter about the series in his autobiography. --Tom Keogh

Goodbye My Lover (Piano Vocal, Sheet music.)

  • Published by Hal Leonard 12 Pages
  • (James Blunt)
  • Artist: James Blunt
Overlooked and underrated, "Goodbye Lover" is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a "Sound of Music" fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating! director Roland Joff?© ("The Killing Fields") from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. "--Jeff Shannon"Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast! and never lets up, liberating director Roland Joffé (The ! Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon GOODBYE MY LOVER Series: Piano Vocal Artist: James Blunt Sheet music.

A Christmas Story Pink Bunny Suit Child Costume (One Size - Child 7-10)

Officially Licensed National Lampoons Christmas Vacation Glass Moose Mug - SINGLE Mug

The Mistress of Spices

  • Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tilo s own desires are stirred for the first time. Format: DVD MOVIE Genre: FOREIGN Rating: PG-13 Age: 796019802741 UPC: 796019802741 Manufacturer No: 80274
A clash of cultures in the spirit of MY BIG FAT GREEK WEDDING, this modern musical retelling of Jane Austen's classic PRIDE AND PREJUDICE is a hilariously entertaining tale of one girl's unlikely search for love! Sparks immediately fly as a love/hate relationship ignites between a small-town beauty (international star Aishwarya Rai) and a wealthy American (Martin Henderson -- THE RING, TORQUE) who's visiting her modest Indian village. In a swirl of music, dance, and comic misunderstandings, these opposites continue to attract and repel each other! in a riotous romance that spans three continents! Featuring Naveen Andrews (TV's LOST, THE ENGLISH PATIENT) and a memorable performance from top recording artist Ashanti -- love will eventually conquer all in this acclaimed treat from the director of BEND IT LIKE BECKHAM!The exotic sounds, vibrant colors, and ecstatic dancing of Bollywood collide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy. On the trip, a childhood friend of Darcy's named Johnny (Daniel Gillies, Spider-Man 2) both tickles Lalita's fancy and confirms her worst suspicions about Darcy. But as events unfo! ld, Lalita wonders if she hasn't misjudged Darcy--and Johnny. ! Austen f ans will be find much to criticize; Bride & Prejudice transplants the basic plot of Pride & Prejudice to modern India, but not much of Austen's sly wit or her insights about character and society have survived the translation. Henderson, though handsome, lacks the intimidating charisma of previous Mr. Darcys (including Laurence Olivier and Colin Firth). Thank goodness for the delightful Rai, here making her first all-English-language movie. She commands the screen like a true star (unsurprisingly, she's hugely popular in India, and previously starred in a more homegrown Austen adaptation: I Have Found It, based on Sense & Sensibility). For Western audiences unfamiliar with the freewheeling exuberance of Indian movies--wild musical numbers can break out at almost any moment--Bride & Prejudice offers an engaging taste of this fantastic cinematic style. --Bret FetzerThe exotic sounds, vibrant colors, and ecstatic dancing of Bollywood co! llide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy. On the trip, a childhood friend of Darcy's named Johnny (Daniel Gillies, Spider-Man 2) both tickles Lalita's fancy and confirms her worst suspicions about Darcy. But as events unfold, Lalita wonders if she hasn't misjudged Darcy--and Johnny. Austen fans will be find much to criticize; Bride & Prejudice transplants the basic plot of Pride & Prejudice to modern India, but not much of Austen's sly wit or her insights about character and society have survived the translation. Henderson, though handsome, lacks! the intimidating charisma of previous Mr. Darcys (including L! aurence Olivier and Colin Firth). Thank goodness for the delightful Rai, here making her first all-English-language movie. She commands the screen like a true star (unsurprisingly, she's hugely popular in India, and previously starred in a more homegrown Austen adaptation: I Have Found It, based on Sense & Sensibility). For Western audiences unfamiliar with the freewheeling exuberance of Indian movies--wild musical numbers can break out at almost any moment--Bride & Prejudice offers an engaging taste of this fantastic cinematic style. --Bret FetzerStudio: Tcfhe/mgm Release Date: 03/31/2009 Rating: Pg13(Romance) Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tilo’s own desires are stirred for the first time.

Harry Potter and the Sorcerer's Stone (Single-Disc Widescreen Edition)

  • In this enchanting film adaptation of J.K. Rowling's delightful bestseller, Harry Potter learns on his 11th birthday that he is the orphaned first son of two powerful wizards and possesses magical powers of his own.At Hogwarts School of Witchcraft and Wizardry, Harry embarks on the adventure of a lifetime. He learns the high-flying sport Quidditch and plays a thrilling game with living chess piece
In this enchanting film adaptation of J.K. Rowling's delightful bestseller, Harry Potter learns on his 11th birthday that he is the orphaned first son of two powerful wizards and possesses magical powers of his own. At Hogwarts School of Witchcraft and Wizardry, Harry embarks on the adventure of a lifetime. He learns the high-flying sport Quidditch and plays a thrilling game with living chess pieces on his way to face a Dark Wizard bent on destroying him. For the most extraordinary adventure, see yo! u on platform nine and three quarters!Here's an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because ! of the film's fidelity to the novel; this is a case of making ! a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return. Ages 8 and up. --Doug Thomas Here's an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates R! on (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because of the film's fidelity to the novel; this is a case of making a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return. Ages 8 and up. --Doug Thomas

Brothers & Sisters: The Complete Fourth Season

  • BROTHERS & SISTERS: THE COMPLETE FOURTH SEASON-6-D (DVD MOVIE)
Four adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played! respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and th! ey look to seek revenge.Bound by love for their slain adoptive! mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the ! way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it wa! lks a fine line of credibility with a mythic vengeance plot (r! ecalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled! with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, G! arrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the! killers , only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonBound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage ! to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Ter! rence Howard as a tenacious detective) lend emotional dimensio! n to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonBound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to di! scover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonWelcome the Walkers back into your home with the emotional fourth season of the warm and witty drama that explores the triumphs and tragedies of the American family. Featuring one of the most celebrated casts on television, including Sally Field, Calista Flockh! art, Rob Lowe, and Patricia Wettig, ABC’s Brothers And Siste! rs is †œinstantaneously seductive,” raves the Wall Street Journal.

No matter how much life changes, family stays the same. As new challenges arise for the Walkers, they learn to rely on one another more than ever before. Kitty’s personal revelation devastates the entire family, Nora begins a relationship with a younger man and Justin and Rebecca’s Malibu wedding doesn’t quite go as planned. Relive all the drama and every touching moment of Season Four, complete with never-before-seen bonus features available only on DVD!The Walker family of Brothers and Sisters grows more complex with every season--a delight for viewers who get plenty of comedy along with a crisply written dramatic series. The ensemble cast is always top-notch across the board, but this season belongs to Calista Flockhart as Kitty, who faces serious health and personal challenges with believable vulnerability alternating with determination. This season also sees a delicious--and younger--love! interest for Nora (Sally Field), and a new French beau for Sarah (Rachel Griffiths). As the Walker family tries to rally around Kitty and her shocking news, however, their messy lives tend to spiral out of tidy plot lines. This season Kitty's marriage to Robert (the always excellent Rob Lowe, who lends the cast some needed gravitas) faces speed bumps bigger than usual, while her brother Kevin (Matthew Rhys) and his partner Scotty (Luke Macfarlane) decide to expand their family--and to start a new business. Another Walker offspring is discovered, and he brings with him an element of menace.

Viewers adore Brothers and Sisters precisely because there's so much going on with the characters they have grown to love, but this season has perhaps a few too many subplots to follow and get invested in. (With the steely Patricia Wettig, playing Holly, at the helm of Ojai Foods, is there really any doubt the company will survive its economic challenges?) But the deeply invol! ving story of Kitty and her health issues--and Flockhart's ins! pired pe rformance--is, as it should be, the silk thread that holds together season 4 of Brothers and Sisters--and the Walker family.

The boxed set, like those of previous seasons, is rich in material for fans. There are more than a dozen deleted scenes, all well acted and nuanced, and the bloopers are abundant and hilarious. There is also a feature about the cast members and how bonded they are off-camera--to the point where they play softball and even do a triathlon together. And you know what they say about a family that plays together. --A.T. Hurley