Alone in the Dark

• A New Inventory System ¿ Players utilize the pockets of protagonist Edward Carnby to hold items which they can view, switch and combine without leaving the game.
• Narrative intensity ¿ Taking its cues from blockbuster TV dramas, the story is told in a TV season style narrative structure based around episodes that deliver maximum intensity throughout and keep the player hooked.
• A Captivating Story ¿ Centered in iconic Central Park long-time series protagonist and paranormal specialist Edward Carnby returns to delve into the frightening events occurring in the Big Apple.
• Real World Rules ¿ In-Game movement has been designed to allow players to do almost anything that is physically possible in the real world.
• Photographic Rendering ¿ Game developer Eden¿s Propriety ¿Twilight¿ technology creates a lavishly detailed game world with highly realistic and advanced cinema! tographic effects.

Alone in the Dark X360There?s something strange and frightening happening in the middle of New York City?s Central Park; something whispered to have been intentionally kept secret; something that players are compelled to explore in Alone in the Dark.

Known today as a safe haven for New Yorkers yearning for relief from the stresses of their chaotic metropolis, history records that Central Park was built on a useless swamp, yet as the New York City skyline hurtled towards the sky over the last 150 years, making the city the most expensive real estate in the world, the park has remained untouched. Why? Civic pride? Perhaps, but the recent strange happenings in and around the park are casting doubt on that, doubts that require investigating.

The return of! an icon ic series

Paranormal PI Edward Carnby. View larger.

Stunningly spooky views of NYC. View larger.

The odd wildlife of Central Park. View larger.

A whole new inventory system. View larger.

Enter Edward Carnby, Paranormal Investigator
Despite the title, Alone in the Dark is actually the fifth game in a series that dates back to 1992 and centers around the experiences of Edward "the reptile" Carnby. A paranormal investigator by trade, Carnby is looking for answers to the strange events and horrific creatures reported in and around the park, but gets more than he bargained for when all the mysteries and terrors of the park spill out over the course of one apocalyptic night. It?s the player?s task to avoid the new frightening dangers of the park as you search for the answers to what these supernatural occurrences mean and why they are happening.

Gameplay Based on Full Player Immersion
Packed full of action and vivid in its realism Alone in t! he Dark goes to the extreme to keep players engaged and im! mersed b y plunging them into the heart of the action in real-time at every turn and challenging them to survive using full movement control. The goal here is to allow players to do or at least feel that they can do more or less whatever is possible in real life, within the game.

Need to avoid a blast of steam or an eruption of fire that has shot up in your path? You can simply side-step it or you can handle the obstacle with a little more panache by using the environment around you, for example by swinging around it using reachable pipes or wires. In another situation you may be challenged by attacking monsters. No problem. You can take the path of least resistance, again by side-stepping them or placing an obstacle between yourself and them, but if you are feeling like taking out a little aggression you can pick up a board, chair, box, etc. and have at it. Nearly anything that you come across that would be usable in real life is usable in game and can be wielded in several diffe! rent ways.

In addition, game developer Eden Studios has done away with a few in-game conventions in favor of real life upgrades. Instead of old-fashioned health bars Alone in the Dark uses realistic body damage and physiological effects to show players how much damage has been done to Carnby by the new dangerous nightlife of Central Park. Basically this means if Carnby has been taking a licking he?s going to be a little bloody. Monsters use sensory perception of all kinds to find their victims, so players need to keep aware of Carnby?s physical state, as well as the impact he has on his surroundings. Also gone are traditional inventory systems that take players out of the game while you switch or check items in your possession, replaced by an in-game inventory system where items are carried in the folds of Carnby?s trench coat. This allows you to stay in the action the whole time. Sticking with the realism theme, the number of items that Carnby can carry is limite! d, but since ingenuity is built into the system, items can be ! combined or their uses altered, mostly with tape, so players can adjust as challenges arise.

TV Style Intensity That Keeps You Hooked
Built around a unique television style episodic narrative game structure, the storyline of Alone in the Dark is split into a number of distinct 30-40 minute episodes, doled out one at a time as you play. This new way to progress through the storyline ensures that players can enjoy the game regardless of the amount of time they have available without ever feeling lost. Each time a saved game is launched, the episode will begin with a video summary of the previous episode to quickly re-immerse the player in the story, removing the need to remember where you were or what you were doing at the end of your last play session. In addition, every episode will also close with a nail-biting, cliff-hanger ending to rattle players? nerves. And when you choose to leave the game, a video teaser of the next episode will play to leave players alw! ays wanting more.

Vivid Photographic Rendering
Even on a bad day, and this will be a bad one, Central Park and New York City are something to see. With Game developer Eden?s proprietary Twilight technology and rendering engine, players can expect to see everything from the City?s famous landmarks to the manifestations of the evil that have been festering in Central Park come to life as if you were there. This lavishly detailed game world takes advantage of highly realistic and advanced cinematographic effects including depth of field, camera focus, numerous light sources, moisture, reflections and High Dynamic Range effects.

Whether it?s the innovative game play, the unique episodic game structure, the advanced physics or the return of a ground-breaking protagonist recast in the modern era, Alone in the Dark holds something for players willing to take on the mysteries and dangers at the heart of Central Park.

American Beauty [VHS]

• Condition: Used - Very Good

Marking the feature film directorial debut of award-winning theatre director Sam Mendes this funny moving and shocking journey through life in suburban America follows the trials and tribulations of Lester (Kevin Spacey) and Carolyn (Annette Bening) an upper-middle class couple whose marriage - and lives - are slowly unraveling. Lester s wife hates him his daughter Jane regards him with contempt and his boss is positioning him for the ax. So Lester decides to make a few changes in his life; the freer he gets the happier he gets which is even more maddening to his wife and daughter. But Lester is about to learn that the ultimate freedom comes at the ultimate price. Winner of five Academy Awards: Best Picture Director Actor Screenplay and Cinematography.System Requirements:Starring: Kevin Spacey Annette Bening Thora Birch Chris Cooper Peter Gallagher Mena Suvari and ! Wes Bentley. Directed By: Sam Mendes. Running Time: 122 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 Universal Distribution Corp.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 667068538229 Manufacturer No: 65382From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.

It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Bu! rnham family joins the cinematic short list of great dysfuncti! onal Ame rican families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.

Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both! plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam SutherlandNoted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman's turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he's grown cynical and is convinced that he has no reason to go on. Lester's relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she's in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is con! stantly depressed, lacking in self-esteem, and convinced that ! she's un attractive. Her problems aren't helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn't the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harrie! d Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.

It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts L! ester into a sexual epiphany that blooms into a second adolesc! ence. An d an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.

Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam SutherlandStudio: Paramount Home Video Release Date: 08/07/2007 Run time: 218 minutes Rating: RFrom its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acu! ity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.

It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into ! their lives come two catalytic outsiders. A young cheerleader ! (Mena Su vari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.

Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam SutherlandFrom its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity e! pitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.

It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their! lives come two catalytic outsiders. A young cheerleader (Mena! Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.

Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam SutherlandDREAMWORKS, DSL1205, pal 2+4From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing ! confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.

It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistf! ul longing). Into their lives come two catalytic outsiders. A ! young ch eerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.

Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam SutherlandExpanded & remastered (HDCD) version of the band's 1970 classic featuring many of the Dead's best-known songs plus 6! bonus tracks 'Truckin' (single version) & 5 live tracks 'Friend of the Devil', 'Candyman', 'Till The Morning Comes', 'Attics of My Life' & 'Truckin'. Digipak. Warner/Rhino. 2003. Who says discipline is a bad thing? No one who's heard American Beauty, the Dead's greatest studio achievement. Showcasing 10 concise, country-rooted gems that sound equally good whether you're hanging on the front porch in the afternoon or nursing a bottle after hours, this one could win over many an anti-Jerry. Bewildered by loss both personal and social--the hippie dream was quickly crashing by Beauty's 1970 release date--the band put its querulousness ("Box of Rain") and wry humor ("Truckin'") into the service of a masterwork. The most impressive cut of all may be "Ripple," Garcia's spiritual credo. --Rickey Wright Who says discipline is a bad thing? No one who's heard American Beauty, the Dead's greatest studio achievement. Showcasing 10 concise, country-rooted! gems that sound equally good whether you're hanging on the fr! ont porc h in the afternoon or nursing a bottle after hours, this one could win over many an anti-Jerry. Bewildered by loss both personal and social--the hippie dream was quickly crashing by Beauty's 1970 release date--the band put its querulousness ("Box of Rain") and wry humor ("Truckin'") into the service of a masterwork. The most impressive cut of all may be "Ripple," Garcia's spiritual credo. --Rickey WrightFrom its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.

It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single p! ackage, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.

Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achie! ves a stylized pace without lapsing into transparent self-indu! lgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam Sutherland

After the Sunset (Widescreen New Line Platinum Series)

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Pierce Brosnan plays a master thief who, after an incredibly successful heist, moves to the Bahamas with his beautiful partner in crime. But the cat and mouse games begins again when an FBI agent, his old nemesis, returns convinced he is going for the biggest score of all, the famous Napoleon diamond.

DVD Features:
DVD ROM Features:Content- Script to Screen
Documentaries:"Before, During and After the Sunset" & "Interview with a Jewel Thief"
Gag Reel:Blooper Reel
Music Video:
Other:Deleted/Alternate Scenes

After the Sunset may not be the greatest jewel-heist caper comedy ever made, but it sure is easy on the eyes. Shifting back into his crowd-pleasing Rush Hour mode, director Brett Ratner kicks off th! e action with a rousing chase scene that pretty much describes the entire film: utter nonsense, but adequately enjoyable. Things get very sunny thereafter, when FBI agent Woody Harrelson lands in the Bahamas to track down ace diamond thief Pierce Brosnan and his lovely accomplice Salma Hayek, whom he suspects of planning their next big heist on a cruise ship. A Bahamian gangster (Don Cheadle) wants in on the action, and the whole thing's about as fluffy as an Elmo doll and just as harmless, especially when you consider Hayek's revealing wardrobe (which, thankfully, distracts from Brosnan's less-than-Bond-like physique). There's an abundance of witty banter between everyone, and the tropical locations make After the Sunset a balmy, vicarious vacation. Critics weren't exactly kind to this breezy dose of popcorn entertainment, but it's an agreeable time-killer and an instant cure for seasonal affective disorder, even if the comedic chemistry leaves something to be desir! ed. --Jeff Shannon

Carlito's Way Rise To Power - Original Movie Poster - 11 x 17

• Original 2005 Theatrical Release Mini Movie Poster
• Rolled, Mint and Unused.
• Single Sided

This powerful, gritty, and vivid novel is the unforgettable story of Carlito Brigante, a Harlem drug dealer in the 1960s, and his rise to the top. Drug dealer, thief, and murdered, Carlito Brigante was once just another Spanish Harlem street punk with a poor boy's dream of flash and fast money -- but as he gets older he determines that it's either take or be taken, and he knows which role he intends to play. Soon he's a mob-connected professional with an easy charm, joie de vivre, stubborn pride, and hair-trigger temper. But the rules change rapidly in a sudden-death world of scams, sell-outs, and payback, where only the strongest and smartest predator can be king of the barrio. And when there's a major changing of the guard in the top echelons of the mob, Carlito will have some hard choic! es to make. Taut, thrilling, and a joy to read, Carlito's Way established a voice that has lost none of its vivid color or power to enthrall.This powerful, gritty, and vivid novel is the unforgettable story of Carlito Brigante, a Harlem drug dealer in the 1960s, and his rise to the top. Drug dealer, thief, and murdered, Carlito Brigante was once just another Spanish Harlem street punk with a poor boy's dream of flash and fast money -- but as he gets older he determines that it's either take or be taken, and he knows which role he intends to play. Soon he's a mob-connected professional with an easy charm, joie de vivre, stubborn pride, and hair-trigger temper. But the rules change rapidly in a sudden-death world of scams, sell-outs, and payback, where only the strongest and smartest predator can be king of the barrio. And when there's a major changing of the guard in the top echelons of the mob, Carlito will have some hard choices to make. Taut, thrilling, and a joy t! o read, Carlito's Way established a voice that has lost! none of its vivid color or power to enthrall.This powerful, gritty, and vivid novel is the unforgettable story of Carlito Brigante, a Harlem drug dealer in the 1960s, and his rise to the top. Drug dealer, thief, and murdered, Carlito Brigante was once just another Spanish Harlem street punk with a poor boy's dream of flash and fast money -- but as he gets older he determines that it's either take or be taken, and he knows which role he intends to play. Soon he's a mob-connected professional with an easy charm, joie de vivre, stubborn pride, and hair-trigger temper. But the rules change rapidly in a sudden-death world of scams, sell-outs, and payback, where only the strongest and smartest predator can be king of the barrio. And when there's a major changing of the guard in the top echelons of the mob, Carlito will have some hard choices to make. Taut, thrilling, and a joy to read, Carlito's Way established a voice that has lost none of its vivid color or power to enthrall. Fr! om the producer of Scarface and Carlito's Way comes the action thriller Carlito's Way: Rise to Power. Jay Hernandez (Friday Night Lights), Mario Van Peebles (Ali), Luis Guzman (Carlito's Way) and Sean Combs (Monster's Ball) star in the gripping tale of the early years of gangster legend Carlito Brigante. Seduced by the power of the brutal New York underworld, he enters a deadly circle of greed and retribution. Assisted by his two brothers in crime, Carlito is on the fast track to becoming Spanish Harlem's ultimate kingpin. He quickly learns, however, that the only way to survive at the top is through loyalty to his friends and respect for the rules of the street.The success of Brian De Palma's Carlito's Way ensures that the straight-to-DVD release of Carlito's Way: Rise to Power will attract an eager audience among fans of urban gangland melodramas. A stellar cast provides adequate compensation as this tame, rel! atively bloodless prequel trots out every cliché in the book,! qualify ing as the 21st-century equivalent of a Warner Bros. gangster programmer from the 1930s. The well-chosen cast of new and familiar faces is caught up in a standard plot of territorial tension in Harlem between the blacks led by Hollywood Nicky (Sean Combs, adding a touch of blingy humor), the old-school Mafia led by Artie Sr. (Burt Young), and the caught-in-the-middle Puerto Ricans who are gaining control as Carlito (Jay Hernandez, in the role Al Pacino originated) and his cross-cultural gang rises to power after his recent release from prison with cellmates and partners-in-crime Earl (Mario Van Peebles) and Rocco (Michael Kelly). They're a tight trio in a climate of mistrust and deception, and Earl's hot-headed brother (Mtume Grant) sets off a series of events that force Carlito to invent a clever alliance that raises the body count while ensuring his long-term status as a dude-you-don't-mess-with. It's fun, for what it's worth (and fans of De Palma's film will enjoy connect! ing events from one film to the other), but there's not a shred of originality in script or direction by Michael Scott Bregman, whose father Martin produced Carlito's Way. Still, there's something to be said for a gang picture that never promises more than it can deliver. On those terms, and with enough violence and strip-joint nudity to satisfy its generic prerequisites, Rise to Power is definitely worth a look. --Jeff ShannonNo description available for this title.
Item Type: DVD Movie
Item Rating: R
Street Date: 08/28/07
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveFrom the producer of Scarface and Carlito's Way comes the action thriller Carlito's Way: Rise to Power. Jay Hernandez (Friday Night Lights), Mario Van P! eebles (Ali), Luis Guzman (Carlito's Way) and Sean Combs (Mons! ter's Ba ll) star in the gripping tale of the early years of gangster legend Carlito Brigante. Seduced by the power of the brutal New York underworld, he enters a deadly circle of greed and retribution. Assisted by his two brothers in crime, Carlito is on the fast track to becoming Spanish Harlem's ultimate kingpin. He quickly learns, however, that the only way to survive at the top is through loyalty to his friends and respect for the rules of the street.The success of Brian De Palma's Carlito's Way ensures that the straight-to-DVD release of Carlito's Way: Rise to Power will attract an eager audience among fans of urban gangland melodramas. A stellar cast provides adequate compensation as this tame, relatively bloodless prequel trots out every cliché in the book, qualifying as the 21st-century equivalent of a Warner Bros. gangster programmer from the 1930s. The well-chosen cast of new and familiar faces is caught up in a standard plot of territorial tension in Harlem! between the blacks led by Hollywood Nicky (Sean Combs, adding a touch of blingy humor), the old-school Mafia led by Artie Sr. (Burt Young), and the caught-in-the-middle Puerto Ricans who are gaining control as Carlito (Jay Hernandez, in the role Al Pacino originated) and his cross-cultural gang rises to power after his recent release from prison with cellmates and partners-in-crime Earl (Mario Van Peebles) and Rocco (Michael Kelly). They're a tight trio in a climate of mistrust and deception, and Earl's hot-headed brother (Mtume Grant) sets off a series of events that force Carlito to invent a clever alliance that raises the body count while ensuring his long-term status as a dude-you-don't-mess-with. It's fun, for what it's worth (and fans of De Palma's film will enjoy connecting events from one film to the other), but there's not a shred of originality in script or direction by Michael Scott Bregman, whose father Martin produced Carlito's Way. Still, there's somet! hing to be said for a gang picture that never promises more th! an it ca n deliver. On those terms, and with enough violence and strip-joint nudity to satisfy its generic prerequisites, Rise to Power is definitely worth a look. --Jeff ShannonCARLITO'S WAY:RISE TO POWER - DVD MovieThe success of Brian De Palma's Carlito's Way ensures that the straight-to-DVD release of Carlito's Way: Rise to Power will attract an eager audience among fans of urban gangland melodramas. A stellar cast provides adequate compensation as this tame, relatively bloodless prequel trots out every cliché in the book, qualifying as the 21st-century equivalent of a Warner Bros. gangster programmer from the 1930s. The well-chosen cast of new and familiar faces is caught up in a standard plot of territorial tension in Harlem between the blacks led by Hollywood Nicky (Sean Combs, adding a touch of blingy humor), the old-school Mafia led by Artie Sr. (Burt Young), and the caught-in-the-middle Puerto Ricans who are gaining control as Carlito (Jay Herna! ndez, in the role Al Pacino originated) and his cross-cultural gang rises to power after his recent release from prison with cellmates and partners-in-crime Earl (Mario Van Peebles) and Rocco (Michael Kelly). They're a tight trio in a climate of mistrust and deception, and Earl's hot-headed brother (Mtume Grant) sets off a series of events that force Carlito to invent a clever alliance that raises the body count while ensuring his long-term status as a dude-you-don't-mess-with. It's fun, for what it's worth (and fans of De Palma's film will enjoy connecting events from one film to the other), but there's not a shred of originality in script or direction by Michael Scott Bregman, whose father Martin produced Carlito's Way. Still, there's something to be said for a gang picture that never promises more than it can deliver. On those terms, and with enough violence and strip-joint nudity to satisfy its generic prerequisites, Rise to Power is definitely worth a loo! k. --Jeff ShannonOriginal 2005 Theatrical Release Movie! Poster.
Measures 11" x 17" (inches)
The poster is single sided, rolled, mint and unused and will be shipped to you packed in plastic tubing and then inside strong pvc pipe for maximum protection.

ecko unltd. Men's Forgotten One Vest, Grey Dust, X-Large

• Stand up collar
• 2 pocket with ecko logo

The end of the stars draws near. Three must become four to battle the darkness that lasts forever. . . .

With a divided StarClan driving a treacherous rift between the four warrior Clans, the spirits of the Dark Forest are gaining strength. Ivypool’s role as a spy is becoming more dangerous with each passing day. Dovewing is haunted by nightmares about the mountains and finds herself paralyzed by fear of what lies ahead.

Then an outsider appears in ThunderClan’s midst, spreading discord and pushing the Clans further apart. As tensions mount and Clanmates turn against one another, the warrior cats will be forced to choose whose word they can trustâ€"before it’s too late.

Full zip vest

Blade Runner (Five-Disc Complete Collector's Edition) [Blu-ray]

• Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner returns in Ridley Scott's definitive Final Cut, including extended scenes and never-before-seen special effects, now seen in sepcatacular hi-definition! In a signature role as 21st- century detective Rick Deckard, Harrison Ford brings his masculine-yet- vulnerable presence to this stylish noir thri

Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner returns in Ridley Scott's definitive Final Cut, including extended scenes and never-before-seen special effects, now seen in sepcatacular hi-definition! In a signature role as 21st- century detective Rick Deckard, Harrison Ford brings his masculine-yet- vulnerable presence to this stylish noir thriller. In a future of high- tech possibility soured by urban and social decay, Deckard hunts for fugitive! , muderous replicants - and is drawn to a mystery woman whose secrets may undermine his soul. This spectacular 5-Disc Set features all of the content of the standard definition Ultimate Collector's Edition. All five version of the legendary Sci-Fi film from Director Ridley Scott with all new 5.1 audio - the definitive Final Cut, three additional versions of the film, and the rare Work Print version - in addition to the in-depth feature length documentary "Dangerous Days", and one complete disc of bonus content including over 80-minutes of never- before-seen deleted scenes.In celebration of Blade Runner's 25th anniversary, director Ridley Scott has gone back into post production to create the long-awaited definitive new version. Blade Runner: The Final Cut, spectacularly restored and remastered from original elements and scanned at 4K resolution, will contain never-before-seen added/extended scenes, added lines, new and improved special effects, director an! d filmmaker commentary, an all-new 5.1 Dolby® Digital audio t! rack and more. Harrison Ford, Rutger Hauer, Edward James Olmos, Joanna Cassidy, Sean Young, and Daryl Hannah are among some 80 stars, filmmakers and others who participate in the extensive bonus features. Among the bonus material highlights is Dangerous Days, a brand new, three-and-a-half-hour documentary by award-winning DVD producer Charles de Lauzirika, with an extensive look into every aspect of the film: its literary genesis, its challenging production and its controversial legacy. The definitive documentary to accompany the definitive film version.

Stills from Blade Runner (click for larger image)

Capezio Daisy 205 Ballet Shoe (Toddler/Little Kid),Ballet Pink,12 M US Little Kid

• See size chart to verify correct sizing

Capezio Daisy ballet pink ballet features premium leather, cotton daisy print lining, ID tag and anchored drawstring and attached elastic straps. Sizing: Order same as street shoe.