The Women

• TESTED

Three sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 23-MAR-2004
Media Type: DVDYou've got to admire a movie that embraces womanhood as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and ! you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ! ShannonYou've got to admire a movie that embraces womanhoo! d as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Wa! lter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ShannonYou've got to admire a movie that embraces womanhood as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who ! lack a coherent plan for illuminating their trio of female sib! lings. D espite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title)! , becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ShannonBEAUTIFUL, SMART, ACCOMPLISHED MARY HAINES DISCOVERS THAT HER HUSBAND IS CHEATING ON HER. IT'S A TIME WHEN FRIENDS ARE NEEDED, SO MARY'S GAL PALS & MOTHER RALLY 'ROUND WITH ADVICE, COCKTAILS & SHOPPING.

Clash of the Titans [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Widescreen; Subtitled

In Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beas! tie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fine slinking mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterri! er (Transporter 2) gets a fine rhythm going during Pers! eus's tr ek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops the original. --Robert HortonIn Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a da! ngerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beastie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the! Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fin! e slinki ng mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterrier (Transporter 2) gets a fine rhythm going during Perseus's trek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops ! the original. --Robert Horton

Hitch (Widescreen Edition)

• Meet Hitch (Will Smith), New York City's greatest matchmaker. Love is his job and he'll get you the girl of your dreams in just three easy dates, guaranteed! And that's exactly what happens when Albert Brennaman (TV's Kevin James, "The King of Queens") wins the heart of gorgeous society heiress Allegra Cole (supermodel Amber Valletta). So when tabloid columnist Sara Melas (Eva Mend

ALEX 'HITCH' HITCHENS IS A TRUE URBAN MYTH - A LEGENDARY NEWYORK CITY 'DATE DOCTOR' WHO, FOR A FEE HAS HELPED HUNDREDS OF MEN WOO THE WOMEN OF THEIR DREAMS. THE ULTIMATE PROFESSIONALBACHELOR, HITCH DISCOVERS THAT ALL OF HIS TRIED & TRUE TRICKS OF THE TRADE ARE NO MATCH FOR SARA, THE ONE WOMAN HE TRULY LOVESWill Smith's easygoing charm makes Hitch the kind of pleasant, uplifting romantic comedy that you could recommend to almost anyone--especially if there's romance in the air. As suave Manhattan dating consu! ltant Alex "Hitch" Hitchens, Smith plays up the smoother, sophisticated side of his established screen persona as he mentors a pudgy accountant (Kevin James) on the lessons of love. The joke, of course, is that Hitch's own love life is a mess, and as he coaches James toward romance with a rich, powerful, and seemingly inaccessible beauty named Allegra (Amber Valetta), he's trying too hard to impress a savvy gossip columnist (Eva Mendes) with whom he's fallen in love. Through mistaken identities and mismatched couples, director Andy Tennant brings the same light touch that made Drew Barrymore's Ever After so effortlessly engaging. As romantic comedies go, Hitch doesn't offer any big surprises, but as a date movie it gets the job done with amiable ease and style. --Jeff Shannon

Brokeback Mountain [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Brokeback Mountain is a sweeping epic that explores the lives of two young men, a ranch hand and a rodeo cowboy, who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications, joys and heartbreak they experience provide a testament to the endurance and power of love. Heath Ledger and Jake Gyllenhaal deliver emotionally charged, remarkably moving performances in "a movie that is destined to become one of the great classics of our time" (Clay Smith, The Insider). Starring: Heath Ledger, Jake Gyllenhaal, Michelle Williams, Anne Hathaway, Linda Cardellini, Randy Quaid, Scott Michael Campbell, Anna Faris, David Harbour Directed by: Ang LeeA sad, melancholy ache pervades Brokeback Mountain, Ang Lee's haunting, moving film that, like his other ! movies, explores societal constraints and the passions that lurk underneath. This time, however, instead of taking on ancient China, 19th-century England, or '70s suburbia, Lee uses the tableau of the American West in the early '60s to show how two lovers are bound by their expected roles, how they rebel against them, and the repercussions for each of doing so--but the romance here is between two men. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two itinerant ranchers looking for work in Wyoming when they meet and embark on a summer sheepherding job in the shadow of titular Brokeback Mountain. The taciturn Ennis, uncommunicative in the extreme, finds himself opening up around the gregarious Jack, and the two form a bond that surprisingly catches fire one cold night out in the wilderness. Separating at the end of the summer, each goes on to marry and have children, but a reunion years later proves that, if anything, their passion for each other has grown! significantly. And while Jack harbors dreams of a life togeth! er, the tight-lipped Ennis is unable to bring himself to even consider something so revolutionary.

Its open, unforced depiction of love between two men made Brokeback an instant cultural touchstone, for both good and bad, as it was tagged derisively as the "gay cowboy movie," but also heralded as a breakthrough for mainstream cinema. Amidst all the hoopla of various agendas, though, was a quiet, heartbreaking love story that was both of its time and universal--it was the quintessential tale of star-crossed lovers, but grounded in an ever-changing America that promised both hope and despair. Adapted by Larry McMurtry and Diana Ossana from Annie Proulx's short story, the movie echoes the sparse bleakness of McMurtry's The Last Picture Show with its fading of the once-glorious West; but with Lee at the helm, it also resembles The Ice Storm, as it showed the ripple effects of a singular event over a number of people. As always, Lee's work with actors is u! nparalleled, as he elicits graceful, nuanced performances from Michelle Williams and Anne Hathaway as the wives affected overtly and subliminally by their husbands' affair, and Gyllenhaal brings surprising dimensions to a character that could have easily just been a puppy dog of a boy. It's Ledger, however, who's the breakthrough in the film, and his portrait of an emotionally repressed man both undone and liberated by his feelings is mesmerizing and devastating. Spare in style but rich with emotion, Brokeback Mountain earns its place as a classic modern love story. --Mark EnglehartDirected by Academy Award®-winning filmmaker Ang Lee, Brokeback Mountain is a sweeping epic that explores the lives of two young men, a ranch hand and a rodeo cowboy, who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications, joys and heartbreak they experience provide a testament to the endurance and power of love. Heath Ledger and Jake Gyllenh! aal deliver emotionally charged, remarkably moving performance! s in “ a movie that is destined to become one of the great classics of our time” (Clay Smith, The Insider).A sad, melancholy ache pervades Brokeback Mountain, Ang Lee's haunting, moving film that, like his other movies, explores societal constraints and the passions that lurk underneath. This time, however, instead of taking on ancient China, 19th-century England, or '70s suburbia, Lee uses the tableau of the American West in the early '60s to show how two lovers are bound by their expected roles, how they rebel against them, and the repercussions for each of doing so--but the romance here is between two men. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two itinerant ranchers looking for work in Wyoming when they meet and embark on a summer sheepherding job in the shadow of titular Brokeback Mountain. The taciturn Ennis, uncommunicative in the extreme, finds himself opening up around the gregarious Jack, and the two form a bond that surprisingly catche! s fire one cold night out in the wilderness. Separating at the end of the summer, each goes on to marry and have children, but a reunion years later proves that, if anything, their passion for each other has grown significantly. And while Jack harbors dreams of a life together, the tight-lipped Ennis is unable to bring himself to even consider something so revolutionary.

Its open, unforced depiction of love between two men made Brokeback an instant cultural touchstone, for both good and bad, as it was tagged derisively as the "gay cowboy movie," but also heralded as a breakthrough for mainstream cinema. Amidst all the hoopla of various agendas, though, was a quiet, heartbreaking love story that was both of its time and universal--it was the quintessential tale of star-crossed lovers, but grounded in an ever-changing America that promised both hope and despair. Adapted by Larry McMurtry and Diana Ossana from Annie Proulx's short story, the movie echoes the sparse ! bleakness of McMurtry's The Last Picture Show with its ! fading o f the once-glorious West; but with Lee at the helm, it also resembles The Ice Storm, as it showed the ripple effects of a singular event over a number of people. As always, Lee's work with actors is unparalleled, as he elicits graceful, nuanced performances from Michelle Williams and Anne Hathaway as the wives affected overtly and subliminally by their husbands' affair, and Gyllenhaal brings surprising dimensions to a character that could have easily just been a puppy dog of a boy. It's Ledger, however, who's the breakthrough in the film, and his portrait of an emotionally repressed man both undone and liberated by his feelings is mesmerizing and devastating. Spare in style but rich with emotion, Brokeback Mountain earns its place as a classic modern love story. --Mark Englehart

Doug's 1st Movie [VHS]

• approx 83 minutes

NEW VHS; Factory sealed, never opened. Clean, very fine condition, Carefully packaged to assure your vhs will arrive in perfect condition. SATISFACTION GUARANTEED

Clear and Present Danger (Jack Ryan)

• ISBN13: 9780425122129
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In CLEAR AND PRESENT DANGER, Harrison Ford returns as intrepid CIA agent Jack Ryan. When his mentor, Admiral Greer (Jones), becomes gravely ill, Ryan is appointed acting CIA Deputy Director of Intelligence. His first assignment: investigate the murder of one of the President's friends, a prominent U.S. businessman with secret ties to Colombian drug cartels. Unbeknownst to Ryan, the CIA has already dispatched a deadly field operative (Dafoe) to lead a paramilitary force against the Colombian drug lords. Caught in the crossfire, Ryan takes matters into his own hands, risking his career and life for the only cause he still believes in -- the truth.The third installment in the cinematic incarnation of ! Tom Clancy's CIA analyst Jack Ryan and the second starring Harrison Ford, this follow-up to Patriot Games is a more complex, rewarding, and bolder film than its predecessor. Ford returns as Ryan, this time embroiled in a failed White House bid to wipe out a Colombian drug cartel and cover up the mess. The script, by Clancy and John Milius (Red Dawn), has an air of true adventure about it as Ryan places himself in harm's way to extract covert soldiers abandoned in a Latin American jungle. There are a couple of remarkable set pieces expertly handled by Patriot Games director Phillip Noyce, especially a shocking scene involving an ambush on Ryan's car in an alley. The supporting cast is superb, including Willem Dafoe as the soldiers' leader, Henry Czerny as Ryan's enemy at the CIA, Joaquim de Almeida as a smooth-talking villain, Ann Magnuson as an unwitting confederate in international crime, and James Earl Jones as Ryan's dying boss. The DVD release has a! widescreen presentation, theatrical trailer, closed captionin! g, optio nal French soundtrack, and optional Spanish subtitles. --Tom Keogh The controversial bestseller from Tom Clancy, the all-time master of the techno-thriller. CIA Deputy Director Jack Ryan joins the war on drugs. And when three American officials are assassinated in Colombia, the U.S. response is swift-and shocking.At the end of the prologue to Clear and Present Danger, Clancy writes, "And so began something that had not quite begun and would not soon end, with many people in many places moving off in directions and on missions which they all mistakenly thought they understood. That was just as well. The future was too fearful for contemplation, and beyond the expected, illusory finish lines were things fated by the decisions made this morning--and, once decided, best unseen." In Clear and Present Danger nothing is as clear as it may seem.

The president, unsatisfied with the success of his "war on drugs," decides that he wants some immediate su! ccess. But after John Clark's covert strike team is deployed to Colombia for Operation Showboat, the drug lords strike back taking several civilian casualties. The chief executive's polls plummet. He orders Ritter to terminate their unofficial plan and leave no traces. Jack Ryan, who has just been named CIA deputy director of intelligence is enraged when he discovers that has been left out of the loop of Colombian operations. Several of America's most highly trained soldiers are stranded in an unfinished mission that, according to all records, never existed. Ryan decides to get the men out.

Ultimately, Clear and Present Danger is about good conscience, law, and politics, with Jack Ryan and CIA agent John Clark as its dual heroes. Ryan relentlessly pursues what he knows is right and legal, even if it means confronting the president of the United States. Clark is the perfect soldier, but a man who finally holds his men higher than the orders of any ca! reless commander.

Along with the usual, stunning array of ! military hardware and the latest techno-gadgets, Clear and Present Danger further develops the relationships and characters that Clancy fans have grown to love. Admiral James Greer passes the CIA torch to his pupil, Ryan. Mr. Clark and Chavez meet for the first time. Other recurring characters like Robert Ritter and "the President" add continuity to Clancy's believable, alternate reality. This is Clancy at his best. --Patrick O'Kelley

Lackawanna Blues

• Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is

DOWN IN THE DELTA brings together an outstanding cast of stars in an uplifting story of family, community, and friendship! In a desperate attempt to change her life, Loretta (Alfre Woodard -- STAR TREK: FIRST CONTACT, MUMFORD) -- a troubled single mother from a tough Chicago neighborhood -- is sent to spend a summer in her family's ancestral home in rural Mississippi. In "The Delta," with the support and widsom of her hardworking Uncle Earl, Loretta finally begins to see a way to provide for her youn! g children and reverse the downward slide of her life. A heartwarming, critically acclaimed motion picture also starring Wesley Snipes (BLADE, U.S. MARSHALS) and Loretta Devine (WAITING TO EXHALE) -- share in this remarkable journey to discover the strength of a family's roots and the power of unconditional love!This family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother! . Wesley Snipes takes a break from his action career to do som! e acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from ! his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsDown In The Delta brings together an outstanding cast of stars in an uplifting story of family, community and friendship.
In a desperate attempt to change her life, Loretta (Alfre Woodard, The Family That Preys)â€"a troubled single mother from a tough Chicago neighborhoodâ€"is sent to spend a summer at her family's ancestral home in rural Mississippi. In "The Delta," with the support and wisdom of her hardworking uncle Earl, Loretta finally begins to see a way to provide for her young children and reverse the downward slide of her life. Also starring Loretta Devine (TV's Grey's Anatomy) and Wesley Snipes (Brooklyn! 's Finest).This family drama begins in a gritty Chicago ne! ighborho od with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama be! gins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimber! ly HeinrichsEVE'S BAYOU (SIGNATURE SERIES) - DVD MovieActr! ess Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonBased on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational sto! ry of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is a celebration of the good things in life, no matter how tough times may be.

DVD Features:
Audio Commentary:Audio Commentary with director George C. Wolfe and writer Ruben Santiago-Hudson
Deleted Scenes
Featurette

Cool music, a wonderful atmospheric feel, and first-rate performances by a stellar cast distinguish Lackawanna Blues, a 2005, 90-minute film originally broadcast by HBO. Director George C. Wolfe's theater background (as a writer and/or director he's been responsible for The Colored Museum, Jelly's Last Jam, and Bring in Da Noise, Bring in Da Funk) is apparent; adapted by scriptwriter Ruben Santiago-Hudson from his! own autobiographical play, Lackawanna Blues is less a ! story th an a reminiscence, told by a young man (an affecting performance by Marcus Carl Franklin) raised by the indefatigable Rachel "Nanny" Crosby (an equally fine turn by S. Epatha Merkerson, known to many from her role in TV's Law & Order) in that upstate New York town. The focus is on Nanny's rooming house, which is populated by all manner of colorful characters (played by the likes of Macy Gray, Jeffrey Wright, and many others, with Jimmy Smits and Carmen Ejogo as the boy's wayward parents). The roomers include drunks, hustlers, ex-cons, and other shady types, but while plenty of bad stuff goes on, it's all coated with a certain patina of sentiment that tends to minimize the hard realities of life for African Americans in the early 1960s. That's fine; Wolfe, with the help of some superb editing by Brian Kates, gives the film such a delightful period vibe that it's easy to overlook its few shortcomings. The music (available on a soundtrack CD), ranging from downhom! e country blues to uptown swing, jump blues, and more, also makes a major contribution to the delightful diversion that is Lackawanna Blues. --Sam Graham

Victorinox Men's Power Stretch Glove, Black/Asphalt Grey, Large

• Victorinox logo
• Stretch nylon

Nylon and spandex

DC Super Heroes: The Filmation Adventures

• Condition: New
• Format: DVD
• Animated; Color; DVD; NTSC

When Batman (Adam West) and Robin (Burt Ward) get a tip that Commodore Schmidlapp (Reginald Denny) is in danger aboard his yacht, they launch a rescue mission. But the tip is a set-up by four of the most powerful villains ever, who seek to defeat the Dynamic Duo once and for all! Armed with a dehydrator that can turn humans into dust, the fearsome foursome intends to take over the world! Can the Caped Crusaders use their high-flying heroism and groovy gadgetry to declaw Catwoman (Lee Meriwether), ice the Penguin (Burgess Meredith), upstage the Joker (Cesar Romero), and stump the Riddler (Frank Gorshin) in time?Holy camp site, Batman! After a fabulously successful season on TV, the campy comic book adventure hit the big screen, complete with painful puns, outrageous supervillains, and fights punctuated with word balloons ! sporting such onomatopoeic syllables as "Pow!," "Thud!," and "Blammo!" Adam West's wooden Batman is the cowled vigilante alter ego of straight-arrow millionaire Bruce Wayne and Bruce Ward's Robin (a.k.a. Dick Grayson, Bruce's young collegiate protégé) his overeager sidekick in hot pants. Together they battle an unholy alliance of Gotham City's greatest criminals: the Joker (Cesar Romero, whooping up a storm), the Riddler (giggling Frank Gorshin), the Penguin (cackling Burgess Meredith), and the purr-fectly sexy Catwoman (Lee Meriwether slinking in a skin-tight black bodysuit). The criminals are, naturally, out to conquer the world, but with a little help from their unending supply of utility belt devices (bat shark repellent, anyone?), our dynamic duo thwarts their nefarious plans at every turn. Since the TV show ran under 30 minutes an episode (with commercials), the 105-minute film runs a little thin--a little camp goes a long way--but fans of the small-screen show will! enjoy the spoofing tone throughout. Leslie H. Martinson direc! ts Loren zo Semple's screenplay like a big-budget TV episode minus the cliffhanger endings. --Sean AxmakerWhen Batman (Adam West) and Robin (Burt Ward) get a tip that Commodore Schmidlapp (Reginald Denny) is in danger aboard his yacht, they launch a rescue mission. But the tip is a set-up by four of the most powerful villains ever, who seek to defeat the Dynamic Duo once and for all! Armed with a dehydrator that can turn humans into dust, the fearsome foursome intends to take over the world! Can the Caped Crusaders use their high-flying heroism and groovy gadgetry to declaw Catwoman (Lee Meriwether), ice the Penguin (Burgess Meredith), upstage the Joker (Cesar Romero), and stump the Riddler (Frank Gorshin) in time?Holy camp site, Batman! After a fabulously successful season on TV, the campy comic book adventure hit the big screen, complete with painful puns, outrageous supervillains, and fights punctuated with word balloons sporting such onomatopoeic syllables as "Pow!," "T! hud!," and "Blammo!" Adam West's wooden Batman is the cowled vigilante alter ego of straight-arrow millionaire Bruce Wayne and Bruce Ward's Robin (a.k.a. Dick Grayson, Bruce's young collegiate protégé) his overeager sidekick in hot pants. Together they battle an unholy alliance of Gotham City's greatest criminals: the Joker (Cesar Romero, whooping up a storm), the Riddler (giggling Frank Gorshin), the Penguin (cackling Burgess Meredith), and the purr-fectly sexy Catwoman (Lee Meriwether slinking in a skin-tight black bodysuit). The criminals are, naturally, out to conquer the world, but with a little help from their unending supply of utility belt devices (bat shark repellent, anyone?), our dynamic duo thwarts their nefarious plans at every turn. Since the TV show ran under 30 minutes an episode (with commercials), the 105-minute film runs a little thin--a little camp goes a long way--but fans of the small-screen show will enjoy the spoofing tone throughout. Leslie H. Mar! tinson directs Lorenzo Semple's screenplay like a big-budget T! V episod e minus the cliffhanger endings. --Sean AxmakerHoly camp site, Batman! After a fabulously successful season on TV, the campy comic book adventure hit the big screen, complete with painful puns, outrageous supervillains, and fights punctuated with word balloons sporting such onomatopoeic syllables as "Pow!," "Thud!," and "Blammo!" Adam West's wooden Batman is the cowled vigilante alter ego of straight-arrow millionaire Bruce Wayne and Bruce Ward's Robin (a.k.a. Dick Grayson, Bruce's young collegiate protégé) his overeager sidekick in hot pants. Together they battle an unholy alliance of Gotham City's greatest criminals: the Joker (Cesar Romero, whooping up a storm), the Riddler (giggling Frank Gorshin), the Penguin (cackling Burgess Meredith), and the purr-fectly sexy Catwoman (Lee Meriwether slinking in a skin-tight black bodysuit). The criminals are, naturally, out to conquer the world, but with a little help from their unending supply of utility belt devices (bat ! shark repellent, anyone?), our dynamic duo thwarts their nefarious plans at every turn. Since the TV show ran under 30 minutes an episode (with commercials), the 105-minute film runs a little thin--a little camp goes a long way--but fans of the small-screen show will enjoy the spoofing tone throughout. Leslie H. Martinson directs Lorenzo Semple's screenplay like a big-budget TV episode minus the cliffhanger endings. --Sean AxmakerHoly camp site, Batman! After a fabulously successful season on TV, the campy comic book adventure hit the big screen, complete with painful puns, outrageous supervillains, and fights punctuated with word balloons sporting such onomatopoeic syllables as "Pow!," "Thud!," and "Blammo!" Adam West's wooden Batman is the cowled vigilante alter ego of straight-arrow millionaire Bruce Wayne and Bruce Ward's Robin (a.k.a. Dick Grayson, Bruce's young collegiate protégé) his overeager sidekick in hot pants. Together they battle an unholy alliance of! Gotham City's greatest criminals: the Joker (Cesar Romero, wh! ooping u p a storm), the Riddler (giggling Frank Gorshin), the Penguin (cackling Burgess Meredith), and the purr-fectly sexy Catwoman (Lee Meriwether slinking in a skin-tight black bodysuit). The criminals are, naturally, out to conquer the world, but with a little help from their unending supply of utility belt devices (bat shark repellent, anyone?), our dynamic duo thwarts their nefarious plans at every turn. Since the TV show ran under 30 minutes an episode (with commercials), the 105-minute film runs a little thin--a little camp goes a long way--but fans of the small-screen show will enjoy the spoofing tone throughout. Leslie H. Martinson directs Lorenzo Semple's screenplay like a big-budget TV episode minus the cliffhanger endings. --Sean Axmaker
Genre: Animation
Rating: NR
Release Date: 12-AUG-2008
Media Type: DVD

Dorian Gray

• DORIAN GRAY (DVD MOVIE)

Jessica Biel, Colin Firth, Kristin Scott Thomas and Ben Barnes bring Noël Coward's witty comedy of manners magnificently to life in this "deliciously cheeky" (Ella Taylor, The Village Voice) adaptation from director Stephan Elliott (The Adventures of Priscilla, Queen of the Desert). When British playboy John brings his new wife Larita - a race car-driving feminist from Detroit - home to meet the family at their country estate, pretty much everyone's expectations are disappointed. His snooty mother is offended by Larita's carefree American ways, while Larita does everything she can to get her mother-in-law to loosen up, which only annoys her even more. John's sisters have diametrically opposed feelings about their new sister-in-law, but his father is intrigued to have finally found another who sees through the family's façade - and takes great perverse p! leasure in watching his wife meet her match.A lighthearted adaptation of a Noel Coward play set in the late 1920s, Easy Virtue stars Jessica Biel as Larita, an adventurous American who marries John, the naive, British heir (Ben Barnes) to a crumbling family estate. Whisked into the less-than-receptive bosom of John's kin, Larita soon finds herself drawing the scorn of her mother-in-law (Kristin Scott Thomas), who would have preferred John marry a longtime sweetheart from his own genteel community rather than a brash Yankee. Eager to move to London, Larita knows the longer a post-honeymoon John visits his family the harder it will be for the newlyweds to live on their own terms, and she's right. Giving up on any notion of fitting in, Larita suffers a few embarrassments before fighting back. But nothing can help her once a past scandal encroaches on her dream of happiness.

Co-writer and director Stephan Elliott (The Adventures of Priscilla, Queen of the Desert) keeps everything breezy and fun, though the clashes between! Larita and her malicious mother-in-law are keenly felt. Elliott's period sensibility is very strong, not least of all his appreciation of John's father (Colin Firth), a restless intellectual and member of the so-called Lost Generation of World War I veterans. Firth's performance as a man distanced from his family's preoccupations and material woes is a real highlight of Easy Virtue. When he dances a tango, late in the story, one can see years of repressed desire erupt in him. --Tom Keogh


Stills from Easy Virtue (Click for larger image)

Jessica Biel, Colin Firth, Kristin Scott Thomas and Ben Barnes bring Noël Coward's witty comedy of manners magnificently to life in this "deliciously cheeky" (Ella Taylor, The Village Voice) adaptation from director Stephan Elliott (The Adventures of Priscilla, Queen of the Desert). When British playboy John brings his new wife Larita - a race car-driving feminist from Detroit - home to meet the family at their country estate, pretty much everyone's expectations are disappointed. His snooty mother is offended by Larita's carefree American ways, while Larita does everything she can to get her mother-in-law to loosen up, which only annoys her even more. John's sisters have diametrically opposed feelings about their new sister-in-law, but his father is intrigued to have finally found another who sees through the family's façade - and takes great perverse pleasure in watching his wife meet her m! atch.




Stills from Easy Virtue (Click for larger image)

Alfred Hitchcocks Easy Virtue DVD!After divorcing an abusive husband Innocent woman makes a valiant effort at beginning her new life. But can not escape the incidents surrounding her past. This is a wonderful early Hitchcock work.A divorcée hides her scandalous past from her new husband and his family.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy wi! ll apply.Blackmail (1929 | B&W)
When Frank's job at Scotland Yard comes between them, Alice accepts a date with another man. The handsome artist invites Alice to pose for a portrait but then tries to assault her. She kills him in self-defense. Assigned to the case, Detective Frank soon learns the identity of the killer, but so has someone else... During production of this silent feature, Hitchcock added dialog with the advent of talking pictures in America, making this England's first talkie.

Easy Virtue (1927 | B&W | Silent)
After divorcing an abusive husband, an innocent woman makes a valiant effort at beginning her life anew, but she cannot escape the incidents surrounding her past. Directed by Alfred Hitchcock, featuring a newly recorded score. Based on a play by Noel Coward. Cast members include Isabel Jeans, Franklin Dyall and Eric Bransby Williams.

Special Edition
Includes an introduction by Tony Curtis and a bonus clip! of the original theatrical trailer
from Hitchcock's fil! m, "Rear Window", with James Stewart and Grace Kelly.
Digitally mastered from the best available sources for the highest quality possible.

MENU languages: English / Spanish / Chinese / Japanese
Subtitles: Spanish / Chinese / Japanese

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Studio: Osiris Entertainment Llc Release Date: 02/11/2010Forever young. Forever cursed. Based on the acclaimed novel by Oscar Wilde. Upon arriving in London, the young and powerful Dorian Gray (Ben Barnes) becomes drawn into a world of debauchery and decadence by Lord Henry Wotton (Colin Firth). Desperate to preserve the beauty captured in his exquisite portrait, Dorian trades his soul for eternal youth â€" leading him down a path of wickedness and murder in order to protect his horrifying secret.