Thursday, November 3, 2011

Hatchet (Unrated Director's Cut) [Blu-ray]

  • HATCHET BLU-RAY (BLU-RAY DISC)
MARYBETH RETURNS TO THE LOUSIANA SWAMPS ALONG WITH AN ARMY OF HUNTERS TO RECOVER THE BODIES OF HER FAMILY AND EXACT HER REVENGE AGAINST VICTOR CROWLEYThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget sequel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches an! d finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony Todd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.

All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to them, raising the bloody-disgusting body count and creative means of murder--outboard motor, super-size chainsaw, belt sander--strictly to satisfy an urge felt only by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet g! roupie club. Green is intentionally riffing on slasher films n! ot only with the comic dialogue and dopey characters, but also by employing icons of the genre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting movie. You're watching to see a giddy homage to the glory days of practical gore effects and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryStudio: Mpi Home Video Release Date: 02/01/2011 Rating: NrThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit! Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget sequel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches and finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony Todd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.

All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to the! m, raising the bloody-disgusting body count and creative means! of murd er--outboard motor, super-size chainsaw, belt sander--strictly to satisfy an urge felt only by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet groupie club. Green is intentionally riffing on slasher films not only with the comic dialogue and dopey characters, but also by employing icons of the genre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting! movie. You're watching to see a giddy homage to the glory days of practical gore effects and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryGet ready for one of the most talked-about, red- blooded American horror movies of the past 20 years: When a group of New Orleans tourists take a cheesy haunted swamp tour, they slam face-first into the local legend of deformed madman Victor Crowley. What follows is a psycho spree of seat-jumping scares, eye- popping nudity, skull-splitting mayhem and beyond. Joel David Moore (DODGEBALL), Deon Richmond (SCREAM 3) and Mercedes McNab (BUFFY THE VAMPIRE SLAYER) star â€" along with horror icons Tony ‘Candyman’ Todd, Robert ‘Freddy Krueger’ Englund and Kane ‘Jason’ Hodder â€" in this screamingly funny carnage classic that Fangoria hails as “a no-hold-barred homage to the days when slasher films were at their reddest and wet! test!”Adam Green's Hatchet is a goofy, gory gas that ! pays tri bute to the slasher boom of the 1980s by placing more hapless teens in the path of an indestructible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exactly surpass the movies it's spoofing; Green's characters are dopey ciphers, and Crowley's indiscriminate killing spree negates his sympathetic origins. But the dialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair ! Witch Project. The widescreen DVD includes commentary by Green and several of his players, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul GaitaStudio: Tcfhe/anchor Bay/starz Release Date: 09/07/2010 Run time: 84 minutes Rating: NrAdam Green's Hatchet is a goofy, gory gas that pays tribute to the slasher boom of the 1980s by placing more hapless teens in the path of an indestructible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exact! ly surpass the movies it's spoofing; Green's characters are do! pey ciph ers, and Crowley's indiscriminate killing spree negates his sympathetic origins. But the dialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair Witch Project. The widescreen DVD includes commentary by Green and several of his players, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul Gaita

Flyboys: A True Story of Courage

  • Blue and red hardcopy. Dust jacket with scenes or flying aircraft.
Inspired by the true story of the legendary Lafayette Escadrille, this action-packed epic tells the tale of America's first fighter pilots. These courageous young men distinguish themselves in a manner that none before them had dared, becoming true heroes who experience triumph, tragedy, love, and loss amid the chaos of World War I. Hang on for the ride of your life!

World War I aviation action gets an impressive digital upgrade in Flyboys, a welcome addition to the "dogfight" sub-genre that includes such previous war-in-the-air films like Hell's Angels, Wings, and The Blue Max. While those earlier films had the advantage of real and genuinely dangerous flight scenes (resulting, in some cases, in fatal accidents during production), Flyboys takes full (and safe) advantage of the digital revo! lution, with intensely photo-realistic recreations of WWI aircraft, authentic period structures, and CGI environments requiring a total of 850 digital effects shots, resulting in an abundance of amazing images, many of them virtually indistinguishable from reality. Unfortunately, the film's technical achievement is more impressive than its screenplay, which conventionally and predictably tells the fact-based story, set in France in 1916, of the daring young pilots of the Lafayette Escadrille, a pioneering French air-combat unit that welcomed American enlistees prior to the United States' entry into the war.

There's a familiar cliché to match every thrilling scene of aerial combat, but director Tony Bill manages to keep it all interesting, from the romance between a young American maverick (James Franco) and a pretty French girl (newcomer Jennifer Decker) to the exciting action in the air, which includes a stock variety of heroes (many of them composites of real-lif! e WWI pilots) and an intimidating villain known only as "The B! lack Fal con," whose Fokker Dr-1 triplane (one of many in the film) recalls the exploits of German "ace of aces" Manfred von Richtofen, the dreaded "Red Baron" of legend. With impeccable production values that will impress even the most nit-picking aviation buffs, Flyboys (like Superman Returns and Apocalypto, also released in 2006) was also one of the first feature films to be shot with Panavision's state-of-the-art Genesis digital cameras, resulting in beautiful images that meet or exceed the visual nuance of film. Flyboys also benefits from painstaking attention to physical detail, making it easier to forgive its shortcomings as a generic and formulaic slice of romanticized history. So while some viewers may have wished for a more realistic and grown-up depiction of the Lafayette Escadrille, it's safe to say that Flyboys will be thrilling its target audience for many years to come. --Jeff Shannon

Extras ! from Flyboys



Director Tony Bill on Filming Dogfight Sequences

...On throwing away the script for pilot training

...On the real-life stunt pilot who stars in the film

Beyond Flyboys



More "War in t! he Sky" Films

SPA124 Lafayette Escadrille: American Volunteer Airmen in World War 1



More "Military and War" Films

Stills from Flyboys




FLYBOYS is the true story of young American airmen who were shot down over Chichi Jima. Eight of these young men were captured by Jap! anese troops and taken prisoner. Another was rescued by an American submarine and went on to become president. The reality of what happened to the eight prisoners has remained a secret for almost 60 years. After the war, the American and Japanese governments conspired to cover up the shocking truth. Not even the families of the airmen were informed what had happened to their sons. It has remained a mystery--until now. Critics called James Bradley's last book "the best book on battle ever written." FLYBOYS is even better: more ambitious, more powerful, and more moving. On the island of Chichi Jima those young men would face the ultimate test. Their story--a tale of courage and daring, of war and of death, of men and of hope--will make you proud, and it will break your heart.

The Blank Slate: The Modern Denial of Human Nature

  • ISBN13: 9780142003343
  • Condition: New
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This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

View a collection of videos on Professor Wilson entitled "On the Relation of Science and the Humanities"

In his new preface E. O. Wilson reflects on how he came to write this book: how The Insect Societies led him to write Sociobiology, and how the political and religious uproar that e! ngulfed that book persuaded him to write another book that would better explain the relevance of biology to the understanding of human behavior.

(20041219)Over four previous editions, Ten Theories of Human Nature has been a remarkably popular introduction to some of the most influential developments in Western and Eastern thought. This fifth edition features a new chapter on Buddhism and a completely revised and reorganized chapter on Darwinian theories.
Lucid and accessible, Ten Theories of Human Nature, Fifth Edition, compresses into a small space the essence of such ancient traditions as Confucianism, Hinduism, Buddhism, and the Old and New Testaments as well as the theories of Plato, Aristotle, Immanuel Kant, Karl Marx, and Jean-Paul Sartre. The authors juxtapose the ideas of these and other thinkers and traditions in a way that helps readers understand how humanity has struggled to comprehend its nature. To encourage readers to think cri! tically for themselves and to underscore the similarities and ! differen ces between the many theories, the book examines each one on four points--the nature of the universe, the nature of humanity, the diagnosis of the ills of humanity, and the proposed cure for these problems. Ideal for introductory courses in human nature, philosophy, religious studies, and intellectual history, Ten Theories of Human Nature, Fifth Edition, will engage and motivate students and other readers to consider how we can understand and improve both ourselves and human society.From the creators of Being John Malkovich and starring Tim Robbins and Patricia Arquette comes a deliciously twisted film with biting dialogue wild twists and plenty of comic turns.Running Time: 96 min.Format: DVD MOVIE Genre: COMEDY UPC: 794043572623This fascinating comedy questions what we mean when we use words like "nature" and "civilization." Lila (Patricia Arquette, Lost Highway, True Romance), a nature writer who grows hair all over her body, falls in love! with Nathan (Tim Robbins, The Player, The Hudsucker Proxy), a scientist attempting to teach table manners to mice. While hiking in the woods, they discover Puff (Rhys Ifans, Notting Hill), a man raised in the wild since childhood, whom Nathan seizes as a test subject for his experiments--and soon these three, along with Nathan's French lab assistant (Miranda Otto) are embroiled in criss-crossed love affairs as they (and the audience) attempt to figure out what it means to be true to one's own nature. Though Human Nature isn't as surefooted as Being John Malkovich (which was also written by distinctive screenwriter Charlie Kaufman), it has moments of startling comic genius. --Bret FetzerWhat is our nature? What is this enigma that we call human? Who are we? Since the dawn of human history, people have exhibited wildly contradictory qualities: good and evil, love and hate, strength and weakness, kindness and cruelty, aggress! iveness and pacifism, generosity and greed, courage and coward! ice. Exp eriencing a sense of eternity in our hearts--but at the same time confined to temporal and spatial constraints--we seek to understand ourselves, both individually and as a species.
In Who Are We? Theories of Human Nature, esteemed author Louis P. Pojman seeks to find answers to these questions by exploring major theories in Western philosophy and religion, along with several traditions in Eastern thought. The most comprehensive work of its kind, the volume opens with chapters on the Hebrew/Christian view of human nature and the contrasting classical Greek theories, outlining a dichotomy between faith and reason that loosely frames the rest of the book. The following chapters cover the medieval view, Hindu and Buddhist perspectives, conservative and liberal theories, Kant's Copernican revolution, Schopenhauer's pessimistic idealism, and Karl Marx's theory. Freud's psychoanalytic view, the existentialist perspective, the Darwinian view, and scientific materia! lism are also discussed. Pojman concludes with a discussion of the question of free will, ultimately asserting that each one of us must decide for ourselves who and what we are, and, based on that answer, how we shall live.Why do we behave the way we do? Biologist Paul Ehrlich suggests that although people share a common genetic code, these genes "do not shout commands at us . . . at the very most, they whisper suggestions." He argues that human nature is not so much the result of genetic coding; rather, it is heavily influenced by cultural conditioning and environmental factors. With personal anecdotes, a well-written narrative, and clear examples, Human Natures is a major work of synthesis and scholarship as well as a valuable primer on genetics and evolution that makes complex scientific concepts accessible to lay readers.

"I doubt whether anyone will write as good a book of this sort on [human evolution] for another two or three decades." (Science! )

"Ehrlich's book is so well researched and so elegan! tly pres ented that it stands as one of the best introductions to human evolution in recent memory." (Publishers Weekly, starred review)It's common to blame "human nature" for some of the unpleasant facts of life--road rage, say, or murder, or war. The problem with this convenient out, argues the distinguished scientist Paul Ehrlich, is that there really is no single human nature. Humans, it's true, share a common genetic code with remarkably few large-scale differences (if all but native Africans disappeared from the planet, he notes, "humanity would still retain somewhat more than 90 percent of its genetic variability"); and evolution has endowed us with capabilities shared by no other species. But for all that, he adds, our separation into haves and have-nots, weak and strong, and other such categories is more often than not a product of cultural evolution, a process far more complex than the mere mutation and adaptation of a few genes. And, in any event, those ! genes "do not shout commands to us about our behavior," Ehrlich says. "At the very most, they whisper suggestions."

In this wide-ranging survey of what it is that has made and that continues to make us human, Ehrlich touches on a number of themes--among them, his recurrent observation that science has taught us little about how genes influence human behavior. (Instead, he notes wryly, "science tells us that we are creatures of accident clinging to a ball of mud hurtling aimlessly through space. This is not a notion to warm hearts or rouse multitudes.") He urges that scientists take a larger, interdisciplinary view that looks beyond mere genetics to the larger forces that shape our lives, a view for which Human Natures makes a handy, and highly accessible, primer. --Gregory McNamee In The Blank Slate, Steven Pinker, one of the world's leading experts on language and the mind, explores the idea of human nature and its moral, emotional, ! and political colorings. With characteristic wit, lucidity, an! d insigh t, Pinker argues that the dogma that the mind has no innate traits-a doctrine held by many intellectuals during the past century-denies our common humanity and our individual preferences, replaces objective analyses of social problems with feel-good slogans, and distorts our understanding of politics, violence, parenting, and the arts. Injecting calm and rationality into debates that are notorious for ax-grinding and mud-slinging, Pinker shows the importance of an honest acknowledgment of human nature based on science and common sense.

Centurion

  • AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts. Quintus Dias (Fassbender), sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus (West) legendary Nin
AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in the face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts. Quintus Dias (Fassbinder), sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus' (West) legendary Ninth Legion, under orders to wipe the Picts from the face of the earth and destroy their leader Gorla! con. But when the legion is ambushed on unfamiliar ground, and Virilus taken captive, Quintus faces a desperate struggle to keep his small platoon alive behind enemy lines. Enduring the harsh terrain and evading their remorseless Pict pursuers led by the revenge hungry Pict Warrior Etain (Kurylenko), the band of soldiers race to rescue their General and to reach the safety of the Roman frontier.Centurion isn't just a rousing adventure, but a return to form for The Descent director Neil Marshall after the disappointing Doomsday. Irish actor Michael Fassbender (Inglourious Basterds) plays Quintus Dias, a Roman soldier attempting to defend the Empire against Northern England's indigenous Pict population, when they take him captive. Once General Virilus (The Wire's Dominic West), who inspires fierce devotion in his men, gets wind of the skirmish, he sets out to vanquish opposition leader Gorlacon (Ulrich Thomsen) with the aid of Etain (Quan! tum of Solace's Olga Kurylenko), a mute tracker. Though hi! s Ninth Legion, which includes Bothos (David Morrissey) and Brick (Liam Cunningham, Fassbender's Hunger costar), tracks down Quintus, the Picts slaughter most other comrades and seize Virilus, shifting the battle for conquest into a struggle for survival, a Marshall specialty since Dog Soldiers. Only Arianne (Solitary Man's Imogen Poots), a medicine woman who treats Bothos's wounds, arrives as a light in the darkness, holding out the promise of romance should Quintus make it out of Pict territory alive. Though Centurion isn't a world away from historical epics like Braveheart and Gladiator--and succumbs to some of the same genre clichés--Marshall conjures up more of a Western feel with the Romans standing in for cowboys and the Picts for Indians. There's carnage aplenty, but also stunning Highland vistas in shades of emerald and teal. And though Fassbender is a fine actor, West and Kurylenko end up stealing the show by virtue of their more ! dynamic performances. --Kathleen C. Fennessy

One Sloop and Slow Match (Great Lakes, Great Guns Series, Book 2)

  • ISBN13: 9780977445295
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Murrayfield, the Calcutta Cup, March 1990. England vs. Scotlandâ€"winner-takes-all for the Five Nations Grand Slam, the biggest prize in northern hemisphere rugby. Will Carling's England are the very embodiment of Margaret Thatcher's Britainâ€"snarling, brutish, and all-conquering. Scotland are the underdogsâ€"second-class citizens from a land that's become the testing ground for the most unpopular tax in living memory: Thatcher's Poll Tax. Fifteen men in blue jerseys are plotting the downfall of the English oppressors. In Edinburgh, nationalism is rising highâ€"what happens in the stadium will resound far beyond the pitch. The Grudge brilliantly recaptures a day that has gone down in histo! ry. This is the real story of an extraordinary game, told with astounding insight and almost unprecedented access to key players, coaches, and supporters on both sides (Will Carling, Ian McGeechan, Brian Moore, and the rest). Tom English has produced a gripping account of a titanic struggle that thrusts the reader right into the heart of the action. Game on.

Each year on the third Thursday in March, more than fifteen thousand graduating medical students exult, despair, and endure Match Day: the result of a computer algorithm that assigns students to their hospital residencies in almost every field of medicine. The match determines the crucial first job as an intern, and ultimately shapes the rest of hisâ€"or, in increasing numbers, herâ€"life. 

Match Day follows three women from the anxious months of preparation before the match through the completion of their first full year of internship. Each has long dreamed of becoming a doctor. Stephan! ie Chao is beginning her career as a surgeon.  Rakhi Barkowsk! i must b alance her husband’s aspirations with her own desire to work in internal medicine. Michelle LaFonda moves forward in her quest to become a radiologist, but struggles to find progress in her personal relationship. Each woman makes mistakes, saves lives, and witnesses death; each must recognize the balancing act of family and career; and each comes to learn what it means to heal, to comfort, to lose, and to grieve, all while maintaining a professional demeanor.

Just as One L became the essential book about the education of young attorneys, so Match Day will be for every medical student, doctor, and reader interested in medicine: a guide to what to expect, an insightful account of the changing world of doctors, and a dramatic recollection of this pressured, perilous, challenging, and rewarding time of life.

Set in Boston during the turbulent 1960s and the 1970s, Elisabeth Smith-Fuller Lindstrom (Lish) meets Kentuckian Yancy Boone after a call! on a roommate ad. Northern and southern bloodlines merge only to be torn apart by the Vietnam War. Devastated by events, Lish throws herself into her work as an architect in the construction industry. An interest in Art Deco design finally leads to a fulfilling career change.

Memorable characters are plentiful along the way as Lish struggles to bring equilibrium back into her life.Set in Boston during the turbulent 1960s and the 1970s, Elisabeth Smith-Fuller Lindstrom (Lish) meets Kentuckian Yancy Boone after a call on a roommate ad. Northern and southern bloodlines merge only to be torn apart by the Vietnam War. Devastated by events, Lish throws herself into her work as an architect in the construction industry. An interest in Art Deco design finally leads to a fulfilling career change.

Memorable characters are plentiful along the way as Lish struggles to bring equilibrium back into her life.The invention of the friction match in England in the 1830s hel! ped to improve the daily lives of people in ways frequently ov! erlooked . Match holders made their appearance by the 1850s in nearly endless, striking variety. Denis B. Alsford has complied fascinating historical influences, patents, marks and over 680 color photos to she light on the developments of match holders from their beginnings to their more recent forms as commonplace household items. A wide variety of match holders are depicted including pocket, "candle-in-a-box", stand-alone and wall hanging models. Paten drawings, discussions of major manufacturers, and copy from the British magazine "Punch" add dimension as well. All who are concerned with tobacco history, collecting match holders and antiques will find this book a useful reference."Before electricity carved its blue path toward me, before the negative charge shot down from cloud to ground...before air expanded and contracted producing loud pressure pulses I could not hear because I was already dead, I had been walking." So opens Gretel Ehrlich's absorbing account of being struck by! lightning. Only when she fell to the ground, her head and body hitting on rock, was she jolted back to consciousness, back to life. In this astonishing chronicle of her experience and of the physical, psychological, and spiritual consequences of the encounter, the author turns her acute naturalist's eye on herself and on the natural world of the body to understand exactly what happened when lightning struck her. Woven into the narrative of her recovery is an examination of the heart - medical, religious, and cultural: There is the path of healing that she traveled not only with the requisite cardiologist but, to quite amazing effect, with her dogs as well. And finally, there is water, and the ways in which, in its contemplation and its immersion, she learned how fire can be extinguished. A Match to the Heart is a stunning work of observation and synthesis: bringing together the most minute self-exploratory and an enlarging, illuminating vision of the world.My Sisterâ! €™s Keeper in nonfiction: a family’s real-life struggle ! to cure their daughter by creating her genetic match
 
Katie Trebing was diagnosed at three months old with Diamond Blackfan anemia, a rare form of anemia that prevents bone marrow from producing red blood cells. Even with a lifetime of monthly blood transfusions, she faced a poor prognosis. Pulitzer Prizeâ€"winning journalist Beth Whitehouse follows the Trebings as they make the decision to create a genetically matched sibling using preimplantation genetic diagnosis (PGD) and in vitro fertilization, and proceed with a risky bone-marrow transplant that could kill their daughter rather than save her. The Match is a timely and provocative look at urgent issues that can only become more complex and pressing as genetic and reproductive technologies advance.This Just in! Nominated Best Storytelling 2009 Just Plan Folks! Thanks to Hans Christian Anderson, you already know the story of the Little Match Girl who froze to death selling matches on a street-cor! ner on New Year's Eve. But what about the managers who woke up the next morning (their day off!) to deal with the mess? How did they get in the situation in the first place? More importantly, how did they get out of it? What is the role "Brainstorming Sessions" and is there really no such thing as a bad idea? Is it possible to be TOO fawning to a boss? How can blaming foreigners for one's problems solve one's crisis? All of these questions are answered in "ICE Girls: What Managers Can Learn from the Story of the Little Match Girl by One Who Was There."
Three new doctorsâ€"all womenâ€"struggle to balance professional ambitions and personal relationships, triumphs and crises, uncertainties and decisions, through one pressure-packed day and the first year of their careers in medicine

Each year, on the third Thursday in March, more than 15,000 graduating medical students exult, despair, and endure Match Day: the decision of a controversial co! mputer algorithm, which matches students with hospital residen! cies in every field of medicine. The match determines where each graduate will be assigned the crucial first job as an intern, and shapes the rest of hisâ€"or, in increasing number, herâ€"life.
In Match Day, Brian Eule follows three women from the anxious months before the match through the completion of their first year of internship. Each woman makes mistakes, saves lives, and witnesses death; each must keep or jettison the man in her life; each comes to learn what it means to heal, to comfort, to lose, and to grieve, while maintaining a professional demeanor.
Just as One L became the essential book about the education of young attorneys, so Match Day will be for every medical student, doctor, and reader interested in medicine: a guide to what to expect, and a dramatic recollection of a pressured, perilous, challenging, and rewarding time of life.

Three new doctorsâ€"all womenâ€"struggle to balance professional ambiti! ons and personal relationships, triumphs and crises, uncertainties and decisions, through one pressure-packed day and the first year of their careers in medicine

Each year, on the third Thursday in March, more than 15,000 graduating medical students exult, despair, and endure Match Day: the decision of a controversial computer algorithm, which matches students with hospital residencies in every field of medicine. The match determines where each graduate will be assigned the crucial first job as an intern, and shapes the rest of hisâ€"or, in increasing number, herâ€"life.
In Match Day, Brian Eule follows three women from the anxious months before the match through the completion of their first year of internship. Each woman makes mistakes, saves lives, and witnesses death; each must keep or jettison the man in her life; each comes to learn what it means to heal, to comfort, to lose, and to grieve, while maintaining a professional demeanor.
Just ! as One L became the essential book about the education ! of young attorneys, so Match Day will be for every medical student, doctor, and reader interested in medicine: a guide to what to expect, and a dramatic recollection of a pressured, perilous, challenging, and rewarding time of life.

James Spurr continues the saga of two strong-willed men, related through marriage, bound by friendship, separated by war, as they face the challenge of battle on the Great Lakes during the War of 1812. In One Sloop and Slow Match Captain William Lee and Oliver Williams become embroiled in the cauldrons of the greatest battles to ever take place on the inland seas. Join them and a young Master Commandant Perry, initially in command of only tiny gunboats, as the struggle with Great Britain intensifies into a grueling game of wits, bloodshed and perseverance, and Perry rises to become one of our greatest American Heroes. "We have met the enemy. . ." From the Chicago Massacre to the blockade of U.S. Naval forces at Presque ! Isle on Lake Erie, James Spurr recreates the action with unerring historical accuracy while conveying the emotion of perilous uncertainty.

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